My Naked Face

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Hannan Abu Hussein

Curator: Michal Mor

Opening Date: May 2021

 

Four installations made of tile, rope, a doll and a safety pin, created as a masterpeice work of art. The artist offers the viewer to take a direct look at her biography, at the world of an Arab woman in a traditional society. The words etched in memory are set in stone. Safety pins are intertwined in a joint labor of craftsmanship by the artist and her mother, pouring as a flowing river to the floor. The comradery among dolls, lips sewn shut, huddled closely one next to the other, and the rope that is smeared in gold color creating the umbilical cord that brings all the works together.

Mother Tongue – The meeting point between the word and the platform on which it is embedded – drawing in the water, perhaps being drowned, or cleansed. The word appears as a visual, readable to speakers of Arabic. The aesthetics captivate the eye, the content is left speechless. A collection of words that have accumulted over the years are expressed as fractions of reality, as a tear in the tapestry of life, allowing it to add a tile, as to continue writing it.

The Tile – “Balata”, the Arab word for “tile,” is similar to the Hebrew word “plata,” meaning “a flat surface.” The lone tile cuts the continuity of the surface, and that which joins them together are the words. The ornamenting on the installations expose the slap that came from home. The artist’s pattern of life has been printed with net printing by the hands of a man at the printing workshop. Clean Arabic caligraphy on red decorated texture, a biography of harsh words in a cloak of decoration, a work as a process of self-awareness.

The Safety Pin – The role of the safety pin is to hug two goals and create a closed loop so that the sharp tip will not stab. This is also the role that the artist takes upon herself in face of her mother: to fasten life, to stitch together the tear and create a decorative accessory.

The Doll – A woman’s life as a tragic puppet theater, in which the mouth is shut. The lips are sewn shut, and there is no place for words or pleasure. The speechlessness of the dolls is like a thundering silence visible to us.

The Rope – The core of the rope carries all the weight and protects it from abrasion – such is the soul of the artist that ties the moment of birth with the moment of unification.

From the beautiful and the aesthetic, a world of pain is presented to the viewer. The portrait of the artist is made up of a collection of minimalistic and enigmatic words and images, and she stands proud and tall before the viewer with eyes wide open.

The exhibition has been created in honor of the events taking place to raise awareness of the murder of women in Israeli society. The exhibition is supported by the Edmond and Lily Safra Center for Brain Sciences, the Paul Baerwarld School of Social Work and Social Welfare, the Office of the Dean of Students and the Commissioner for the Prevention of Sexual Harassment.

Hannan Abu Hussein – born in Um El Fahem, resident and artist in Jerusalem.

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