iPhasia | A Journey to the World of Eyal Peled

  • iPhasia | A Journey to the World of Eyal Peled

Eyal Peled

Curators: Michal Mor
Opening Date: March, 2015 | Closing Date: April, 2015

Eyal Peled, the television presenter of Masa Olami (Worldwide Journey), suffered a severe stroke in 2008, resulting in damage and paralysis to the right side of his body and in aphasia, a loss of the ability to speak. However, Eyal did not lose the urge to continue his “journeys”. Despite his physical disability, he uses his Smartphone – an iPhone – as a visual tool to communicate the thoughts trapped within his brain. While traveling through the country by car, Eyal stops at various locations to photograph objects that catch his eye. Sometimes he goes back and forth over the same stretch to choose the correct angle for the picture. His handicap forces him to shoot with his left hand through the car window. The connection to the objects photographed, says Eyal, is achieved in two stages: the first is to take a picture of the object in the natural environment. The second is a verbalization of his more personal response to the object. Eyal's associations range from the desire to fly to the desire for grounding, between the yearning for freedom and independence to the feeling of being sealed and closed.
Aphasia is a syndrome that interferes with the production of language, caused by brain damage, especially by a stroke. This occurs in regions called "Brain Language Areas" (Broca's area and Wernicke's area), located in the left hemisphere. Damage to Broca's area, called "motor aphasia", is characterized by difficulty in the production of grammatical sentences. People who suffer from this kind of aphasia speak in short sentences, use a functional vocabulary in a telegraphic manner, and have difficulties in finding the word they want to use. They do comprehend speech, however, and are therefore often aware of their condition. As a consequence, they experience frustration, and avoid verbal communication. Motor aphasia is often accompanied by paralysis or weakness of the right side of the body. Damage to Wernicke's area, called "sensory aphasia", is characterized by fluent but confused or meaningless speech. Sensory aphasia is characterized by problems in understanding as well, so that sufferers are unaware of their disorder. Damage to both areas is called "global aphasia".
The strength of the brain lies in the way the nerve cells that form it work together. Every cognitive and motor activity stems from the constant interaction among brain cells. This interaction, in all its ramifications, is the field of study of theoreticians, computer scientists, cognitive psychologists, and biologists at the Edmond and Lily Safra Center for Brain Sciences. Their research leads to new findings in the fields of human behavior, diseases, and brain trauma, and to new methods of rehabilitation and treatment for people with mental disabilities. One of the many topics investigated at the Center is the study of human language – its uniqueness and structure, and the brain injuries that may cause a potential loss of producing and understanding language.

The exhibition was produced with the support of the Edmond and Lily Safra Center for Brain Sciences at the Hebrew University.
Curator: Michal Mor
Producer: Alona Shani-Narkiss
Eyal Peled was born in Jerusalem and served as an education officer in the army. He has been working as a producer and presenter on television and in film since the end of his academic studies, and in addition guided dozens of tours around the world for many years. In 1994 he initiated and created the TV program "Worldwide Journey with Eyal Peled," in which he merged his loves and skills: touring and guiding, and television.
Eyal was the screenwriter, director, producer and presenter of the program between the years 1994 and 2007.
In April 2008 he suffered a severe stroke during his sleep that affected his speech and motor abilities, which he continues to rehabilitate to this day.

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Opening Date: 25 February, 2018

The exhibition is part of the Art & Brain Week of the Edmond and Lily Safra Center for Brain Sciences at the Hebrew University, in cooperation with the Jerusalem Cinematheque. Curators Michal Mor and Alona Shani-Narkiss have compiled nine posters, pairs of architectural elements from the Suzanne and Charles Goodman Brain Sciences Building, which is being built on the campus of the Hebrew University, with elements from the brain world produced by M.R.I photographs, microscopic photographs and more. The posters show the similarity between the brain and architecture, as well as the inspiration they give each other. In addition to the banners, a one-minute time lapse video documents the construction site, which follows five years of constructio.

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The Suzanne and Charles Goodman Building for Brain Sciences, which will soon open on the Edmond J. Safra Campus, was designed by renowned architect Norman Foster and the Jerusalem office of Baer, Shifman-Nathan Architects, and incorporates formal influences that simulate and inspire the human brain. The synergy between the architect and the scientist took place on various levels. On the one hand, the architects were inspired by concepts and structures from the realm of the brain and applied it to the interior design of the building and its encasement. On the other hand, they had to design a building that would serve the unique needs of brain researchers, the campus of architectural tradition, and the city, with its many characteristics.

A central element in the vision of ELSC was to establish a building that would encourage multidisciplinary ties between researchers on a daily basis. In the encounter between the architect and the researcher, the possibility of translating the vision into physical realization was enacted. Charts, microscope photographs, imaging scans and mathematical formulas collected over the past century have become visual tools in the hands of architects and have been translated into concrete components in the modern structure.

                                                       

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NanoArt 2018

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Opening Date: 2018

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Curators: Ofer Amram, Lilach Orenstein
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During 2015-2016 scientists and artists have found a different way and a different language to translate the scientific formulation into artistic aspects. A unique and direct meeting between the parties brings the outcome you will see here today. "Our departure as researchers outside of the campus borders and outside of the borders of ourselves as researchers, proved to be highly successful. The artists influenced the way we see our world and our researches, and this connection has opened a road to create around us a real art" according to Prof. Danny Porat.


The center for Nano-science and Nano-technology provides a basis and a wide and multidisciplinary frame that brings together researchers from various fields of research, and unifies them with researching the unique effects that occur in the Nanometric range, where the material characteristics are changing and the traditional multidisciplinary borders are blurred. The artists heard about the different physical and chemical characteristics of the Nanometric materials, and lerned from applications like: tiny sensors, drug carriers inside the body, electronic components and optical components. As a result of the conversations, the meetings and the visits in the laboratories, the artists created an artistic interpretation to the contents they have been exposed to. The Nanoart project is an outcome of the cooperation between The Hebrew University Center for Nano-science and Nano-technology, the Municipality of Jerusalem and groups from the fields of dramatic arts and plastic arts.


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In fact, the Nano world describes objects in the size of less than 100 Nanometer, that surprisingly having different characteristics from those larger sized materials, which we can see and hold. The Nanometric objects that can have different shapes (sphere, rod etc.) are made of dozens to hundreds of atoms which are held together by Chemical forces. To the Nanometric materials there are characteristics like color, solubility, etc. that are resulting directly of their small size, and as said, they are different from the characteristics of the same materials which have a macroscopic size. For example, a Nanometric particle of gold can have red or blue color (accordingly to its size), which is different of course from the gold color we know, in the smallest objects we are able to see.


The different Physical and Chemical characteristics of Nanometric objects make them particularly attractive in many applications, such as: tiny sensors, drug carriers inside the body, electronic components and optical components. The huge research that has been made in the scientific world, and today also in the industry, tries to take advantage of the special characteristics of those materials (there are thousands of different Nanometric materials) in favor of the human beings and the mankind. Nonetheless, the people of science not once find themselves hard to explain the Nano world concept to the general public.

NanoArt team: Tirtsa Lavi, Michal Mor, Eyal Ezri, Prof. Danny Porath.

About the Projects (in Hebrew)

                                                       

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